Hi-Lux is best known for making replica antique optics for 19th century and early 20th century firearms. After visiting their booth at SHOT Show this year, they showed me their newest optic that is decidedly 21st century: their new CMR (Close to Medium Range) 1-8×24 LPVO.
The CMR has capped 1/2MOA turrets and a removable throw lever. It has a 30mm tube and an overall typical design for an LPVO. The package contains the scope and lens covers but like most non-budget scopes, ships without mounts.
Hi-Lux sent me a CMRB which has a SFP ‘B’ullet Drop reticle that utilizes fiber optic illumination. This provides a true Daylight Bright dot in the center of the reticle. In my testing the dot remained bright and visible even looking into the sky in bright noonday sun.
Optically the image is bright and sharp at 100yrds with a bit of chromatic aberration. But at 1x the scope exhibits edge distortion and parallax shift. This is disappointingly not uncommon even with premium scopes costing twice or even three times as much as the CMR.
The Hi-Lux is a mid-tier optic at just under $400 retail. With a lifetime warranty from a US company, this scope is a good contender against similar scopes like the Vortex Venom. Its the scope for those that don’t want to put out a grand or more for a daylight bright LPVO but want a boojier brand than an Athlon or Primary Arms.
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Hi-Lux is known for making vintage style optics, They make the Malcolm, possibly the best reproduction Unertl style scopes on the market. They also make modern tactical optics; last year I tested their PR5 long range scope and found it a solid long range tactical optic if a tad heavy.
At SHOT Show this year, they showed me their new 1-8x LPVO the CMR1. This utilizes fiber optics to achieve a daylight bright central point like a red dot. I hope to get a sample to see how good it performs optically.
Hi-Lux is unique among rifle optics companies because not only do they make modern hunting and tactical rifle scopes but they also make reproduction of rifle telescopes for vintage firearms. I got a chance to try one first hand a few months ago when my friend Mike bought a Hi-Lux Malcom scope for his 1950’s vintage BSA Martini target rifle.
Hi-Lux offers a range of reproduction scopes that include wide range of historical firearms, from 19th Century muzzle loaders to Vietnam War USMC sniper rifles. These scopes share a common trait of having external scope mounting systems and external adjustments. The telescope tube are designed to slide within these external adjustments rails to protect their delicate reticles and glass from the damage of recoil.
Hi-Lux Vintage scopes are designed to look historically accurate and yet are higher performance than the original, because they use modern compute controlled milling machines and use modern HD glass. While Hi-Lux scopes are far from cheap, compared to buying an antique optic, they are by far a better value for all but the most fussy collector.
Hi-Lux is an optics company best known for making reproduction vintage-style scopes. But at Shot Show this year, their show stopper was their newest modern ELR/PRS scope, their PR5-R a 5-25x56mm beast of a scope. They were kind enough to send me a sample to text and evaluate.
Out of the box the scope is massive. It is 16″ long even without the included sunshade. It is perhaps the heaviest scope I’ve yet tested, weighing in at 2.5lbs (40oz). The package includes the aforementioned 56mm sunshade, front and rear flip-up caps, and a throw lever.
The scope has equally massive and oversized turrets which have nice loud clicks and are tactile positive. The elevation has a zero-stop reminiscent of Leupold’s spiral groove design but with the spiral under the cap instead of the base of the turret. While interesting, I found correctly lining up the stopping pin in the grove to be sometimes finicky.
In addition, Hi-Lux’s “Zero Stop” is designed to stop 1 MIL past 0. So perhaps they should call it a “1 Stop” or “+1 Stop” instead? Moreover, my turret didn’t stop at 1 MIL, instead stopping sometimes at 1.2 or 1.3 MIL. While you can correct for this by adjusting your initial zero, I find this lack of precision problematic. But as I so not use Zero Stops my disappointment is somewhat moot.
The magnification dial was moderately stiff but movable without the throw lever. The ocular focus was smooth and the eye-piece features rotation markings making. This is an often overlooked feature on scopes and I wish more makers put them on their scopes because this makes it easier to return to a known focus when sharing a rifle with a guest shooter.
The most interesting feature of the scope is it’s digital illumination controls. The brightness and activation on controlled by two rubberized buttons next to the paralax focus knob. The model I tested had red illumination but Hi-Lux also sells a green illumination model.
The entire central sub-tensioned cross-hair and Christmas tree is illuminated. The two lowest brightness settings are designed for night vision and were not visible to my naked eye. The highest level (11) was not daylight bright but more than bright enough for dusk. It is powered by a CR2032 coin battery in the parallax knob, which can focus down to 10 yards.
At the range I noted distortion along the outer edge of the image and chromatic aberration at 5x which is usually the best image seen through a scope. I was therefore surprised when the outer edge and color distortion improved at 25x. We did lose light and there was a noticeable reduction in the eye-box.
In overall sharpness and contrast the scope was middling to average for a $800 scope (I’ve seen street price ranges from $800-$1300 depending on retailer) but its resolution was as good or better than similarly priced Athlon and Arken scopes I’ve reviewed.
This scope was designed to appeal to ELR and Bench Rest Precision shooters for whom a +40oz tank of a scope is not a problem but an advantage. It’s turrets are oversized, easy to read and control. But it’s finicky Zero Stop may be a deal breaker for some competitive shooters.
Hi-Lux is well known for their Leatherwood hunting scopes and Malcom vintage reproduction scopes. But they also make modern tactical and target scopes. At SHOT Show 2023 I got a chance to see the PR5 5-25x56mm FFP, their newest precision tactical scope that is ready to compete in both NRL22 and PRS competitions.
The PR5 has all the features you’d want in a long-range scope like HD glass, 32 Mil-Rads of internal adjustment and a modern FFP Christmas Tree reticle. In addition, the PR5 has a more modern digital controlled illuminator with auto shut-off, a feature found in most red dots but still lagging in even more expensive rifle scopes.
What sets this scope apart from bigger brand name PRS scopes, is that the PR5 has a minimum parallax focus distance of just 10yrds. That means it’s perfect for airgun competitions, NRL22, Precision Rimfire, and indoor ranges. While far from a budget scope, it still manages to come in at a street price bellow $900, which is remarkable for all these features.
At the booth I also got a walk-through of Hi-Lux’s vintage scope line. With the recent heightened interest in lever action Western guns, Hi-Lux is one of the few scope makers that offers vintage looking optics that utilize modern mounting standards and contain HD glass.
