The S1 4K Infinite is the first dashcam who’s footage impressed me. The best budget dashcams I’ve tested up till now produce footage that looks as good as the best home security cams. Granted, these cams I’ve tested typically cost anywhere between $75-$125. The S1 produces footage that looks as good as that of a 4K GoPro or DJI action cam.
Part of the reason for its superior footage is that the S1 comes with a Circular Polarizing Filter (CPL) which can reduce glare and reflections in the windscreen and improve readability and contrast. In addition, the S1’s native 4K resolution really looks like 4K and not just upscaled 1080p as with some budget 4K dashcams.
The S1 has a somewhat hidden Image Enhancement Mode that is only accessible when reconfiguring the camera settings from its default 4K@60fps to 30fps. An HDR + Infinite Plate Capture option becomes available at 30fps. This setting produces enhanced readability of characters in license plates, especially at night.
There were two minor issues that I experienced with the S1. When starting the car, the S1 took about 5-10 seconds longer to boot up than other dashcams I’ve tested. After a firmware upgrade that I downloaded from the Vueroid website, the boot up shortened noticeably. One other minor annoyance is that if you choose to change the camera’s Resolution, the S1 forces a full SD-Card format, erasing any files previously on that card.
The S1 also offers GPS and speed logging, WiFi connectivity to a downloadable phone App to copy files and modify menu settings. And the option to wire the S1 directly to your car battery to enable continuous recording when the car is parked and the engine is off.
For its premium performance, the S1 does come with a premium price. The S1’s build quality and its fit-and-finish, feels like a premium electronic device. Not the cheap plastic toy-like quality of many cheaper dashcams. But at the end of the day, having footage of a license plate could mean the difference between identifying a car or not.
While in Los Angeles, I stopped by the Evike.com superstore to try out their new interactive shooting experience: Level Up. It’s an airsoft shooting gallery game for up to 5 players. Game graphics are projected onto its walls, which contain impact sensors.
You choose from a selection of game modes, including a zombie attack. Your score is automatically recorded. You’re issued everything you need to play, including eye-protection, a full-auto airsoft rifle with a red dot optic, and glow-in-the-dark tracer BBs so you can see your shots.
I am trying out SK Long Range Match. SK is the German made rimfire brand now owned by Lapua of Finland. SK is one of the few choices for competition grade, match ammo that I’ve found in California. For the test, I’m comparing it to CCI Standard Velocity, which many consider the best overall “bulk” rimfire ammo for bolt-action rifles and bullseye pistols.
I am testing various 22LR rimfire ammunition at 100 yards to determine which produces the tightest groups in my CZ 457 rifle. My rifle build is a factory-stock CZ 457 VPC, topped with an Area 419 Picatinny rail, and a Discovery Optics XED 6-36×56 scope (their top-tier long-range optic with Japanese eXtra Low Dispersion ED glass).
After shooting 20 rounds of each, SK certainly outperformed CCI but its also about 4x the price.
Too Much Information live chat show. Demon Slayer: Infinity Castle continues to dominate the box office and KPop Demon Hunters is a cultural phenominon. It all started with Japanimation: Japanese anime TV series that were adapted for US after-school broadcasts in the 1970’s, 80’s, and 90’s. https://moondogindustries.com/tmi-251008-japanimation-quiz/
This video is sponsored by Aura. Stop leaving yourself vulnerable to data breaches. Go to my link https://aura.com/moondog to get a 14-day free trial and see if any of your data has been exposed.
EARLYBIRD Clue:
THIS WEEK
Moondog2A
Moondog Reviews
Moondog Go
BRAND CONTEST CLUE
DOWN THE RABBIT HOLE
Japanimation was the common term that was used to describe Japanese Anime TV series released in the US. These are the most popular and influential Anime series that hit the US in the 70’s to early 90’s.
Kimba the White Lion, known in Japan as Jungle Emperor (Japanese: ジャングル大帝, Hepburn: Janguru Taitei), is a Japanese shōnenmanga series written and illustrated by Osamu Tezuka.The anime series was released in English Dub to US markets, on September 11, 1966; on CBS stations.
Astro Boy, known in Japan as Mighty Atom (Japanese: 鉄腕アトム, Hepburn: Tetsuwan Atomu; lit. ’Iron-Armed Atom’), is a Japanese manga series written and illustrated by Osamu Tezuka. A B&W anime came out 1963 but not in the US. A color anime series did out in the US until 1986 in limited markets.
Star Blazers is an American adaptation of the Japanese anime television series Space Battleship Yamato I (1974), II (1978), and III (1980) (宇宙戦艦ヤマト, Uchū Senkan Yamato). Star Blazers was first broadcast in the United States in 1979.
Mazinger Z (Japanese: マジンガーZ, Hepburn: Majingā Zetto; known as Tranzor Z in the United States). One of the first Giant Robot animes to be released in the US.
Science Ninja Team Gatchaman (科学忍者隊ガッチャマン, Kagaku Ninja-tai Gatchaman, lit. Science Ninja Squad Gatchaman), also simply titled as Gatchaman is a 1972. Heavily edited and adapted for the US in 1978 as Battle of the Planets (BOTP) and the team was called G-Force. These super hero teams would go on to inspire live Super Sentai series like Power Rangers.
Beast King GoLion (百獣王ゴライオン, Hyaku Jūō Goraion; The King of Hundred Beasts GoLion) is a Japanese super mechaanime television series that aired form 1981 to 1982. The animation from GoLion was edited and trimmed to create the American series Voltron: Defender of the Universe
Transformers is a media franchise produced by Hasbro and Japanese toy company Takara Tomy. The Anime doubted in the US 1985 becoming a hit, and was co-released in Japan under the name: Fight! Super Robot Lifeform Transformers. The Transformersmecha were largely designed by Shōji Kawamori, the creator of the Japanese mecha anime franchise Macross
Sailor Moon (Japanese: 美少女戦士セーラームーン, Hepburn: Bishōjo Senshi Sērā Mūn; originally translated as Pretty Soldier Sailor Moon,[1] later Pretty Guardian Sailor Moon[2][3]) is a Japanese manga series written and illustrated by Naoko Takeuchi. An English dub of the 1992 anime series was release in 1995.
A few months ago, I tested and reviewed the Discovery Optics HD MVPO 2-12×24 and thought it was a great general-purpose optic, whose only shortcoming was its usability at CQB distances due to its reticle and lack of daylight-bright illumination. Earlier this year, I also tested the excellent new OSight X multi-reticle pistol reflex sight. I wondered if both of these could be paired together to make an ideal combination sighting system.
I bought a low-cost piggy-back mount that is a scope ring with a small Picatinny rail. I attached this just forward of my turrets to allow me enough space to manipulate my elevation without obscuring the turret. Using an RMR/Picatinny adapter, I mounted the OSight X atop the scope. An added benefit was that the combo was actually lighter than most 1-10x LPVOs.
High-power optics are great for general-purpose use and hunting, but generally poor at distances closer than 50 yards. Iron sights and red dots are excellent for fast target engagement, but are limited by a shooter’s naked eyesight. A number of solutions have been invented to bridge the gap: LPVOs, low-power prism optics, red dot magnifiers, and piggy-back/angled reflex mounts.
For a practical test, I fielded this optical setup at a local falling plates match. I wanted to see if this setup was better than the LPVO I usually use to good effect. The first obstacle I had to overcome was that having a reflex atop my scope didn’t give me enough room in my rifle bag. I had to zip the bag, leaving the Osight X and cover poking out and exposed.
When shooting the red dot at closer distances of the match (30-45 yards), I utilized a heads-up shooting position. In theory, this is a major advantage in CQB threat environments as it affords a less obstructed peripheral view than an LPVO at 1x (and less visual distortion). But in practice, since the falling plate targets were always directly in front of me and there were no random threats that could pop up, the wider peripheral view was moot.
When I got to the 45-yard stage in the match, I found that the red dot suffered due to my aging vision and the size of the dot obscuring the 8″ targets at this distance. I switched to the MPVO at 2x, which was better than the red dot at this distance, but it lacked a bright enough reticle illumination in the variable lighting conditions.
In theory, this reflex/MPVO combo should have been a great setup, but in practice, it was far from perfect. Admittedly, my performance could be improved with further practice, but its advantages aren’t as significant compared to a traditional LPVO for CQB and action shooting matches. Adding a reflex sight to any long-range optic would be helpful as a backup sight, but with the trade-off of extra bulk and complexity.
This prize supplied by ProHear and is awarded at their sole discretion and direction.
RULES
NO PURCHASE OR DONATION IS NECESSARY TO ENTER. YOUR CHANCES OF WINNING DO NOT INCREASE WITH A PURCHASE. VOID WHERE PROHIBITED.
1. Eligibility
Void where prohibited by law. Must be legal resident in the USA. Moondog Industries employees, subsidiaries, affiliates, suppliers, advertising and promotion agencies, employees’ immediate family members, are ineligible to participate in the contest/giveaway.
Entrants must be willing and able to appear on YouTube to discuss the contest and post images of the prize on their social feed should they win the contest.
2. Sponsors and Platforms
ProHear (known as the SPONSOR) and Moondog Industries (known as the CO-SPONSOR) is a video Edutainment producer and game promoter based in San Francisco, CA. YouTube, TikTok, Rumble, X and online video platforms (known as PLATFORMS) are not SPONSORS or in any way affiliated with the contest or content.
3. Agreement to Rules
By entering the contest, participants agree to abide by the SPONSOR’s Official Rules and decisions. The SPONSOR retains the right to refuse, withdraw, or disqualify entries at their sole discretion. By submitting an entry, the participant agrees to accept the decision of the SPONSOR as final and binding.
4. Entry Period
Contest email entries must be received between: 12:00pm EST 1 Oct 2025 and 12:00pm EST 31 Oct 2025
5. How to Enter
This contest requires your skill in navigating your phone or computer controls to screen capture an image of the following YouTube channels/Social Media accounts. Subscribe or Follow and make a screen capture of those pages showing a greyed out Subscribe button or indicator that your account is Following that page. If the page is not functioning, please contact contest@moondogindustries.com . One entry per person or per Social Media account. Fraudulent methods of entry, photo retouched, or other methods of circumvention of the rules may result in the SPONSOR invalidating a participant’s entries.
6. Prizes
The winner must be able to receive the prize by e-mail or by physical mail. Prize may be substituted at the sole discretion of the SPONSOR. Acceptance of the prize grants SPONSOR permission to use the winner’s entry, name, and likeness for advertising, promotion, and trade without further compensation or remuneration unless prohibited by law.
7. Odds
The odds of winning are dependent upon the number of eligible entries received.
8. Selection and Notification of the Winner
The winner will be chosen at random by the SPONSOR from among the entrants who demonstrated the skill to navigate the electronic entry and have met the minimum requirements. Winners will be contacted via the email used to enter the contest. Winner must have a legal address within the US to ship the prize.
SPONSOR is not liable for the winner’s failure to receive notification of winning if he or she provided the wrong email address or if their email security settings caused your prize notification to go into the spam or junk folder. If a winner does not respond within 24hrs of sending a notification, the SPONSOR will select an alternate winner. Receipt of the prize is upon the condition of compliance with federal, state, and local laws.
9. Rights Granted by the Entrant
The SPONSOR, upon submission of an entry into the giveaway or contest, has the right to use the participant’s submission, voice, likeness, image, statements about the contest, etc., for publicity, news, advertising, promotional purposes, trade, and so forth, without any further notice, review, consent, compensation or remuneration.
Participants shall defend or settle against such claims at their sole expense, and shall indemnify, defend and hold harmless the SPONSOR from any suit due to damage of or by the prize.
10. Terms & Conditions
The SPONSOR reserves the right to modify, suspend, cancel or terminate in the event that non-authorized human intervention, a bug or virus, fraud, or other causes beyond your control impact or corrupt the security, fairness, proper conduct, or administration of the contest/giveaway.
11. Limitation of Liability
Entry into this contest constitutes the participant’s agreement to release and hold harmless the SPONSOR and PLATFORMS, subsidiaries, affiliates, employees, etc., against all claims liability, illness, injury, death, loss, etc., that occurs directly or indirectly from participation in the contest or use/misuse of the awarded prize.
12. Disputes
As a condition of participating in the promotion, the participant agrees to resolve all disputes with an arbitrator designated by the SPONSOR in the state of California, without resorting to any form of class action. Entrants waive all rights to punitive, incidental, or consequential damages, and waive all rights to have damages multiplied or increased.
13. Privacy Policy
Participants agree to abide by all privacy and NDA laws in the State of California and any federal laws of the United State of America.
14. Winners List
Participants may request a list of winners by submitting a request in writing to Moondog Industries for up to 30 days after the contest ends.
15. Social Media Platform Rules
Winners will agree to post a photo of the prize on their social media channels in such a way as does not violate any rules of that platform. The winners also agree to appear for an interview where they will discuss the prize and its performance. If there are functional problems with the prize, the winner agrees to make a good-faith effort to resolve all issues with the SPONSOR prior to posting reviews or opinions about the prize.
16. Affirmation of Acceptance of and Agreement to All of the Official Rules
By entering the contest, the entrant has affirmatively reviewed, accepted, and agreed to all of them.
Too Much Information live chat show. The failed rebrand of Cracker Barrel also highlighted changes to the interior design of the restaurant, making it look more like other restaurants and fast food chains like Starbucks, McDonalds, and Wendys. Why do all these places look the same. We discuss this trend with Architecht, Matthew Brady.
This video is sponsored by Aura. Stop leaving yourself vulnerable to data breaches. Go to my link https://aura.com/moondog to get a 14-day free trial and see if any of your data has been exposed.
EARLYBIRD Clue:
THIS WEEK
Moondog2A
Moondog Reviews
Moondog Go
BRAND CONTEST CLUE
This hamburger chain has restaurants in 120 countries and territories and serves 68 million customers daily.
DOWN THE RABBIT HOLE
In August 19, Cracker Barrel announced a redesign of their restaurants and brand and created a firestorm of negative blowback from their customers. After a major drop in their stock price, their CEO announced the suspension of their redesign plans.
A major part of their redesign was a more generic logo and a change in their interior design to bring their look more in line to many “modern” restaurants like Chilli’s, Buffalo Wild Wings, and similar corporatized fast food chains like McDonald’s, Wendy’s, and Starbucks.
Why are all of our restaurants looking the same or so similar in style that it’s nearly impossible to identify them without the logo?
Brothers Richard and Maurice founded this hamburger chain in San Bernardino, California, in 1940. Roy Croc joined the company in 1955 and launched its franchising, which would grow into the largest hamburger brand in the world.
CVLife continues to put out dependable budget-priced optics with increasingly better features. This scope features Japanese ED glass, which offers improved sharpness and clarity while reducing chromatic aberration. This newest scope changes up their previous turret design with something that feels vaguely like a Vortex turret that got stretched taller. It even has a similar zero-stop ring and pin system to a Vortex Strike Eagle.
The scope comes with a decent set of rings and a throw lever. The rings have a thick anodized coating common with budget rings, designed to cover over the hard edges and lack of refined milling. The rings do feature a recoil lug and Torx screw for better holding power.
The scope performed well in tracking and optical clarity. Its main shortfalls were its heavy weight, tight eyebox, and small exit pupil at 6x in particular. Despite this, with a street price below $250, it’s a good example of a budget, entry-level long-range competition scope. It may not beat the quality of scopes from Athlon, Burris, or Vortex, but it beats those brands’ entry-level offerings for value and price.
Tactical Snacks is a veteran-owned company that were handing out sample packs of their low-carb gummies at SHOT Show earlier this year. I taste-tested their Watermelon Overwatch sour gummies. Tactical Snacks were created to provide low-sugar alternatives to regular gummy candies without high-fructose corn syrup.
They recently expanded their flavors and sent me a sample pack of their two newest: Breach Peacha and Green Apple Rattle.
At last year’s SHOT Show, Leapers showed off their new UTG Pro monolithic MP5 clamp on modernized handguards. They turned out to be a huge hit among MP5 fans. This year they’ve brought these modern Picatinny mounting options to a receiver scope clamp and a front sight clamp.
These clamp-on mounts allow users to attach modern optics, weaponlights, and accessories onto MP5s while retaining its traditional furniture.
