Don’t be afraid of the Monstrum Spectre 1-6×24

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Chances are if there’s a scope on an AR at the range, that scope is going to be an LPVO (Low Power Variable Optic). LPVO’s are a cross between a traditional 6-10x magnified rifle scope and a red dot because LPVO’s have a low end of 1x, 1.2x, or similar. An LPVO allows you to use them with both eyes opened to quickly engage targets up close at 1x and crank up the magnification to engage targets at 200yrs or more (and especially helpful for older eyesight).

Monstrum is a Southern California based importer and designer of tactical accessories and red dots. I’ve helped install one of their scope rings on a friend’s rifle and was impressed that it had features like Torx screws and recoil lugs. I was aware of the Monstrum brand but didn’t know much about it so I was surprised when Monstrum reached out to me and offered to have me test and evaluate their newest LPVO, the Spectre 1-6x24mm.

The Spectre ships with some nice accessories like flip up lens caps, a kill-flash filter, and one of Monstrum’s excellent cantilever offset mounts. The scope has a 30mm tube, is made of 6061 aluminum, and is nitrogen purged. On initial inspection, the body and components appeared solidly constructed and well made, though I did find some nicks and rough edges on the magnification wheel which was disappointing.

The other big disappointment was that the elevation turret’s MOA markings didn’t line up with the the scope center indicator. This is common with budget scopes and has even been known to occur with better known scopes but it’s always disappointing when it happens. The windage was spot on to the zero so it’s not like Monstrum’s factory couldn’t make better built turrets.

The turrets are 1/2 MOA per click and the clicks were moderately audible and tactile positive though soft. There was a bit of slop in the elevation clicks but when pushed down, they did lock solidly. Both turrets are resettable with a coin.

The magnification dial turned smoothly but was difficult to turn. An LPVO’s central benefit is that it is the word “variable” so not being able to change you magnification easily is beyond frustrating. Thankfully it does have a large fin that helps assist in leveraging the dial but only time will tell how quickly it will loosen up?

The scope has an illumination knob opposite the windage. It is CR2032 powered with 5 brightness settings in red and green which illuminates the center octagon and dot of its MX1 Reticle. The reticle has thick outer T-style hunter crosshair lines a very thin and fine central crosshairs with MOA hashmarks. I found this central reticle structure too faint to use for action shooting without full illumination.

The scope itself performed quite well in my range tests. It has a decent 4″ eye-relief and the forgiving eye-box typical of lower power scopes. It returned to zero in my box test and probably passed my nipple-twister turret test but my results were not definitive.

In target testing at 25yrds it was able to hold its zero after being subjected to repeated hits from my polymer ammo can to simulate heavy recoil. In practical tests with rapid fire on steel plates, I was able to quickly and accurately place my shots (any misses were entirely shooter error). But as mentioned earlier, I found the reticle was too thin to use without illumination.

I came in with low expectations because I really didn’t know Monstrum’s optical products. In overall build and performance the Spectre lives up to the quality and value of Monstrum’s scope mounts and accessories. If you’re hesitant of trying a Monstrum because of their lack of reputation in optics, consider that the Spectre has a street price under $200 and a lifetime warranty from a US based company, and don’t be afraid of this monster value.

This scope is available on Amazon through my affiliate link: https://amzn.to/3EOPEN1

RESOLUTION
Group: -2
Element: 2

OVERALL RATINGS (out 5)
Build: 4
Glass: 4
Reticle: 3
Holds Zero: 5
Box Test: 4
Turrets: 2
Eye Box: 4
Value: 3



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Tom "Moondog" DelMundo is an award-winning copywriter and art director with over a decade of Madison Avenue experience.

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